The extended edition of Travelator features three bonus tracks and is available exclusively through Bandcamp.
Tracks Listing
01. Calling You 02. Oh Baby 03. Teleportation Goodbye 04. Gimme Some More (with Keeno Lee) 05. Where Should We Go Now? 06. Denmark Street 07. Hotel Gloom 08. RbtLv2.0 09. She Never Called 10. The Waiting Room – bonus tracks – *11. Denmark Street (accoustic) *12. RbtLv2.0 (accoustic) *13. In Limbo (bonus)
Composed, arranged, produced, and performed by Joe Vaz.
Produced and Recorded by Joe Vaz at Open Shed Studios, Cape Town, South Africa. Mixed and mastered by Mike Sims at 22Fifty, Cape Town, South Africa. Vocals on tracks 1-6 and 10 recorded by Mike Sims at 22Fifty. *Teleportation Goodbye composed by Venter/Moreira Vaz
01. Calling You 02. Oh Baby 03. Teleportation Goodbye 04. Gimme Some More 05. Where Should We Go Now? 06. Denmark Street 07. Hotel Gloom 08. RbtLv2.0 09. She Never Called 10. The Waiting Room – bonus tracks – *11. Denmark Street (accoustic) *12. RbtLv2.0 (accoustic) *13. In Limbo (bonus)
ten Athlone‘s long-awaited new album has a release date of July 3rd.
Travelator is available for pre-order through Bandcamp as limited edition CD and digital download, and will be available to stream digitally on July 3, 2024.
Track List:
01 Calling You 02 Oh Baby* 03 Teleportation Goodbye 04 Gimme Some More (with Keeno Lee) 05 Where Should We Go Now? 06 Denmark Street 07 Hotel Gloom 08 RbtLv_2.0 09 She Never Called 10 The Waiting Room
*Bandcamp version comes with bonus tracks and digital booklet.
Liner Notes: Travelator Composed, arranged, produced, and performed by Joe Vaz, except where indicated.
Produced and Recorded by Joe Vaz at Open Shed Studios, Cape Town, South Africa. Mixed and mastered by Mike Sims at 22Fifty, Cape Town, South Africa. Vocals on tracks 1-6 and 10 recorded by Mike Sims at 22Fifty. *Teleportation Goodbye composed by Venter/Moreira Vaz
Vocals:
All instruments and voices by Joe Vaz Keeno Lee – co-lead vocal on Gimme Some More (track 04) Maya Spector – Background vocals on Gimme Some More (track 04)
Additional Musicians:
Thisara Bandara – Violins (tracks 3, 5 and 10) Austris Apenis – French Horns (tracks 3 and 10) Jonathan Miranda-Figeuroa – Cello (track 10) Gaston Rodella – Trombones (tracks 4 and 7) João Sousa – Trumpets (track 4) Simon Ratcliffe – Double Bass (track 6) Jay Hajro – Bassoon (track 5) Hannah Gobbett – Clarinet (track 5)
This is the first of my (hopefully) monthly playlists where I highlight some of the songs that have influenced my writing style of the decades.
Having lived through, what some might call, the greatest decade of music ever, (the 80’s in case it’s not obvious), it comes as no surprise that a large part of musical influences comes from 80’s songs.
So for this post I wanted to share some of my favourites. Every one of these songs taught me, or inspired me in some way. In some it might be just a single melody line, whereas others might be the whole song. I’ll go into detail below, but if you’re not interested in the reasons, just listen to the playlist – it’s rocking good.
Song by song:
Don’t Answer Me – The Alan Parsons Project I can’t remember exactly, but I think the music video for this was animated and really quite beautiful – something to do with a moon. What I’ve always loved about this song is both the driving rhythm that gives the whole song motion, and the exquisite melodies and harmonies. The one that always stood out for me is the lower harmony on the line “Run away and hide from everyone. Can you change the things we’ve said and done?” It’s just perfect.
Commercial Breakup – Thomas Dolby This one’s easy, it’s that insane synth solo – I fooking love it. I’ve also loved Dolby’s penchant for changing a single word or two from one chorus to the next, while still keeping the rhyme and metre intact. In this song it’s the first line of 1st chorus; “Oh man – they’re waving from the street again…” vs the first line of the second chorus, “Something has dropped me in the heat again…”. Dolby does this time and time again, and it’s great little quirk that I’ve taken on board in my own lyrics…
Twilight of a Champion – The The The second-last track from The The’s 1986 album, Infected. This is a powerhouse of percussive 80’s breakbeats layered over some of the best lyrics of the decade. It’s basically a beat poem spoken under a driving drum and bass. Matt Johnson’s lyrics have always inspired me, they’re raw, they’re rude and they’re right on the money. When I lived in London in the early 2000’s, listening to Infected and the follow-up album, Mind Bomb, felt like he’d written those lyrics the day before instead of 15 years prior. Johnson always seems to have his pulse on the current state of affairs.
In The Name of Love – Thompson Twins What can one say about this song. If you need a single song, single riff, single bar of music to epitomise the 80’s synth pop sound, then the opening riff of In The Name of Love would be it. It’s bouncy, it’s cool, it’s catchy as all hell. There are key changes, astounding harmonies and vocal arrangements, and one of the best choruses ever.